We’re delighted to announce the pioneering facilities company Onsight has partnered with Central Film School to introduce our students to their up-to-the-minute equipment and award-winning team of creatives and technical crew.
Onsight have over 25 years’ experience, and have supplied equipment and services for production companies like 20th Century Fox, Millennium Films, BBC Comedy, Sky, The Mill, Nick Broomfield, and countless others.
The partnership will include sponsorship of the Best Cinematography Award at this year’s graduation ceremony, with the winner receiving a week’s camera rental from Onsight.
The company will also offer internships at their facility in Shepperton Studios, workshops with our Cinematography specialism students, and equipment discounts for students.
We’re really excited about the possibilities of working with such a renowned name in facilities and post-production, and are certain that our students will hugely benefit from such high-level industry insight at the start of their filmmaking careers.
The Hard Stop is a documentary about the friends and family of Mark Duggan, the man shot twice by London police whose death prompted the start of rioting across the UK. The film follows two of his friends in particular - Marcus and Kurtis - as they seek justice for Mark, and try to get on with their daily lives in the aftermath.
George talked to students about the conception of the project, how to direct when responding to changing circumstances around you, budgets, and the development of a feature score.
Thanks to George for his time and willingness to share his insights!
The short was written and directed by BA Practical Filmmaking student Markus Tangre, and produced by classmate Fabian Barba. A host of other Practical Filmmaking students took crew and acting roles - James Benkowski, Anna Höwing, Aiman Jabayee, Sam White, Marina Charriton, Tuan Nguyen and Brendan Julian.
The team won sound kit from RØDE, and are looking forward to working on future projects!
Central Film School is a school with an international outlook. We have students currently studying with us from 31 different countries, and our tutors and staff come from the EU and across the world.
Whilst the full effects of the referendum on membership of the European Union are as yet unknown, we wish to reaffirm our commitment to our students and staff from outside the UK, and our commitment to diverse stories told on film.
Students from the EU who have applied for 2016/17 entry to our school should continue as before - we do not anticipate rapid change to the process in the short term. EU students considering an application to Central Film School should also proceed as normal - email us at firstname.lastname@example.org or phone us on +44 (0) 20 7377 6060 if you have any queries.
We believe films are made by teams, and that conversation and collaboration are key to a better world. We will continue to work with students from the UK, the EU and beyond, helping them to tell their stories, and focusing on what unites us, rather than divides us.
Director Simon Rumley (Red White & Blue, The ABCs of Death) and producer Bob Portal held a test screening of their new thriller Fashionista in Central Film School's screening theatre this past Monday. The film is currently in post-production, and the creators sought feedback from students about the plot and tone of the film before the final edit.
The director-producer team had previously tested their film Red White & Blue at the school. Bob Portal is also a long-term tutor at Central Film School.
Topics addressed included his approach to adaptation, the way he chooses projects, and whether writers would truly be happy just writing for themselves and not for an audience.
Nick also very kindly donated early draft copies of the screenplay to An Education (working title "University of Life"!) to the Central Film School library.
Huge thanks to Nick for his time and generosity, Lucy for her assistance, and the marvellous folks at Close-Up Film Centre for hosting us!
As part of the filming, Raf travelled to the front line of the humanitarian crisis, filming the passage of refugees into Europe, and some of the challenges they've faced on their onward journey.
Director James Alexander said:
It has been a pleasure working with Rafael over the course of last month, he is a fantastic chap to have around in those kind high risk situations, great at taking direction, he bought many smiles to a lot of families faces and a great deal of expertise to the team.
RED provided access to the amazing RED Epic camera, and representatives from Zeiss showed off some new lenses. Our filmmakers then chose lenses, and completed some test shots on the backlot at Pinewood, before grading the rushes and having them projected on the 4K screen.
Huge thanks to RED, Zeiss and Pinewood, and tutor Martyn Bray for arranging this brilliant trip!
Our students aren't limited to working on their productions for school - they also undertake a wide range of extracurricular film projects. A case in point is BA Practical Filmmaking student Alexander Lamb, who recently produced a music video.
It was enormously exciting to have the opportunity to to produce this Music Video for "Dream in Colour" as part of AL. AKP Productions. Working with the cast and crew was absolutely amazing!
We can't wait to see the finished video!
At Panalux, the students were invited to join the Panalux Emerging Talent Database, and got their own Panalux mugs!
At Onsight Camera Rentals, the team bench-tested lenses and sampled life on the lot.
Check out some photos of them in action below...
Our final year BA Practical Filmmaking students are hard at work preparing their graduation films, and they're offering you a chance to peek behind-the-scenes as they prepare. We'll keep this page updated with links to social media and crowdfunding sites...
One Life, One Death, Two Snails
Director Asya Segalovich brings together three stories of confinement and escape. Their Kickstarter campaign smashed their £2,200 fundraising target, with £2,750 pledged.
Callum started his training at Royal Holloway, with a half-theoretical, half-practical film training, but really wanted to get shooting as soon as he finished. He gravitated towards cinematography, given a natural affinity for cameras and kit, and worked on low-budget films as a trainee and loader.
The arrival of the Red One introduced a whole new access point into the industry, and Callum became a Digital Imaging Technician (DIT). Based on-set, DITs set up cameras, creating looks for DOPs, backing up data, and preparing imagery for editors.
He received an early break working on Pirates of the Caribbean: On Stranger Tides, the first production with tapeless flow filmed in the UK, and even though Callum was only 21 years old at the time, he brought a significant knowledge of changing technology to the big-budget production. As a result, he set up Digital Orchard, an agency and diary service for (at present) twenty-two Digital Imaging Technicians, working on productions like Prometheus, Jack The Giant Slayer, and Game of Thrones.
Callum is also part of the Guild of British Camera Technicians, training younger technicians, and giving advice on the industry for the next generation.
His one-day seminar at Central Film School looked at the role of the DIT - how they fit into the digital world, how to build workflows at different budgets, and how to get the best look for the least amount of budget. BA Practical Filmmaking students received expert knowledge on camera settings, image Quality Control, on-set colour grading, producing dailies, and more…
Thanks for coming to see us, Callum!
Wednesday 9th December 2015 saw the glitziest occasion in the Central Film School calendar - the graduation ceremony for BA Practical Filmmaking and Industry Filmmaking Diploma students, hosted by our friends at Curzon Bloomsbury.
Central Film School is pleased to announce an exciting new direction with a rebrand as the Academy of Intelligent Media, the addition of a raft of new courses and a close partnership with the Bertha Foundation.
A new website and a logo designed by Planning Unit launches today to introduce a series of new courses in social impact documentary filmmaking and disruptive media. Our new tagline, the Academy of Intelligent Media, will bring our ethos in line with the Bertha Foundation, a charitable organisation that champions activists, including filmmakers, who aim to bring about change. Mirroring the foundation's goals, Central Film School aims to nurture talent and support content creation that can achieve a specific impact.
The Bertha Foundation have nurtured global talent and have supported a wide variety of films, including over 180 documentaries, all of which sought a positive social change.
In keeping with our new direction, Central aspires to be the most ethical film school in the UK, from student selection criteria through to teaching students techniques to consider the environmental impact of their filmmaking activities.
While a film school at heart with visual storytelling at the core of what is taught, media will be embraced in a much more holistic way and our students will acquire skills and techniques to future-proof them in the ever-changing media environment.
Jonathan Peake, the new CEO of Central Film School says: ‘It’s a really exciting time here at Central Film School. Thanks to our partnership with the Bertha Foundation we are going to be able to bring to the school inspirational filmmakers, who have all sought to use the medium of film to make a positive social impact. Taking our lead from them, we will be seeking to help our students choose the most appropriate format for their content and distribution strategy to give their films the best chance of finding their intended audience and having its intended impact. We view film in a much broader sense and want to future proof our students for the ever-changing way in which moving image content is being consumed.’
About Central Film School: Academy of Intelligent Media:
Central Film School is a private school based in the east end of London. The school delivers relevant, practical training in filmmaking and screenwriting in a supportive, collaborative and creative environment. Small and friendly, the school provides continuous access to industry-professional tutors and one of the highest student-equipment ratios of any school in the UK.
About the Bertha Foundation:
The Bertha Foundation is a philanthropic organisation that seeks to make a positive social impact by supporting a range of activities that encompass activism, human rights law, enterprise and media. In addition to Central Film School, the Bertha Foundation’s other partners include Curzon Cinemas and Bertha DocHouse, the UK’s first documentary only cinema, located in the Curzon Bloomsbury. And the IDFA Bertha Fund is the only fund in the world dedicated solely to stimulating and empowering the creative documentary sector in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
For more information, images or interview requests, please contact
email@example.com Tel +44(0) 207 377 6060