Directing the visual story.jpg
Directing the visual story.jpg

Directing the Visual Story


Directing the Visual Story

SCROLL DOWN

Directing the Visual Story


Directing the Visual Story

 

The Fundamentals of Composition & Camera Directing for Visual Storytelling.

The Fundamentals of Composition & Camera Directing for Visual Storytelling.

A six week course designed to introduce and improve the elements of visual storytelling for new filmmakers.

Using demonstration, hands-on exercises and examples from a wide range of films we will explore how to the shot choices we make tell the story of our film. A sample script will be provided as a basis for homework assignments between each session. The student will be encouraged to use their own camera/ device to undertake the assignments and receive feedback upon request.

> Start date: 10th of January 2019
> Every Thursday from 0630pm to 930pm
> 6 Weeks duration
> Limited places available
> ONLY £280

Week One: basic screen grammar

The Impact of shot size on the frame. The impact of lens selection and camera angle of view.

Week Two: THE MOVING CAMERA

How and why we move a camera during a shot. The impact of moving the camera. The single developing shot and one-shot coverage. Designing moving shots that will edit together.

Week Three: sTAGING THE SCENE versus blocking the action

Mise-en-scéne - what is it, and why it is essential.

Week Four: Pre-Visualisation - Storyboarding and Shot Planning

Traditional and state of the art methods to plan and develop the visual style of your film along with shot planning techniques.

Week Five: The Director & Cinematographer Creative Relationship

Who does what, and what they require from each other. Lighting as a storytelling tool. Working together in pre-production to enhance the director’s vision of the story.

Week Six: DIRECTING ACTORS ON SET

How much directing is needed and when to let go. How to use additional takes. Pick-ups v retakes. What to do when inspiration strikes on set. How to stay flexible but on schedule?